Like last year’s much-acclaimed film Wendy and Lucy, his descent into some American underbelly becomes a story about just how easy it is to blip off the map, to find yourself completely and utterly gone. In the other, the man’s partner in crime confronts the fact that he’s being cast out of the place he’s been staying and he doesn’t really have a backup plan. In one, a man tries to reconcile with his wife after his secrets and lies take their toll on his marriage. “Down,” written by Sam Catlin and directed by John Dahl, is evenly split between two deliberately paced stories that converge at the end. ![]() If the United States makes it easy to follow a certain path to some form of success, it also makes it a little too easy for someone to get lost.
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